Given that his co-stars Keira Knightley and Orlando Bloom abandoned the franchise after the initial trilogy, Jack is supplied with a new pair of pretty, mutually attracted protagonists. At least On Stranger Tides had the decency to be a standalone movie with Dead Men Tell No Tales, there is talk of that most pernicious of cinematic gambits, the “soft reboot.”Ĭaptain Jack returns, of course, although the character’s originality has gradually evolved into very nearly its opposite, a species of tired and vaguely embarrassing drag act. It will surprise no one to learn that the latest installment in the franchise is another. The half-hearted and wildly unnecessary fourth movie, Pirates of the Caribbean: On Stranger Tides was one such thing. Which would all have been well and good enough. As is customary, the sequel was a pale imitation, and the third installment of the presumed trilogy went a bit trippy and meta. The first Pirates film was an unexpected success: wildly overlong and over-plotted yet kept afloat by a wicked, bravura, and utterly original performance by Johnny Depp as Captain Jack Sparrow, a swishily swaggering mélange of rum, eyeliner, and impudence. The subtitle of the new Pirates of the Caribbean movie is “Dead Men Tell No Tales.” The moral of the movie, alas, is that the same cannot be said of dead franchises.
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